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“It’s called
Definite Article because I’m much more definite about where
I’m going.”
Eddie’s 3rd show, Definite Article, opened
at London’s
Shaftesbury Theatre in October 1995. The show ran for 10 weeks and
sold out completely. As warm-up gigs for this run, Eddie toured small
venues throughout the Western Isles of Scotland, Wales, Cumbria,
Sheffield and Dublin, where the venue capacities ranged from 80 in
Ullapool to 1200 at the University of Sheffield
Memorably, the show opened with Eddie coming through
a giant book, seated in a giant armchair and resplendent in an orange
Gaultier
jacket. On the opening night a button fell off the jacket. Eddie said
of the incident, “An actor would have kicked it to the side
of the stage. I thought I’ll talk about this. Then I tried
to pull the thread off but couldn’t get to it. Someone threw
a pair of scissors on stage, then someone threw a sewing kit. I said “Good
heckle”.
I knew I had to do it.
Once you commit, as long as you finish you’ll be fine, so
I sewed the button back on and talked about my granny and her sewing.
That’s what I learned from street performing, all you have
to do is finally do it.”
A 4-month World tour with Definite Article followed in September
1996, beginning with a performance at the De La
Warr Pavilion,
Bexhill-on-Sea on 1st September, and then shows in Paris (in French),
Reykjavik,
Amsterdam, Stockholm and Copenhagen and a 4-week sell-out run at
New York’s PS122, as well as 45 dates across the UK and Eire.
It was during the UK leg of the tour, at a performance at the Cambridge
Corn Exchange in November 1997, that Eddie was engaged
in a fracas with an audience member, who insulted Eddie for wearing
makeup etc,
the result of which was a black eye for Eddie. However Eddie won
through in the court case as the man concerned received a fine.
Definite Article won Eddie a second British
Comedy Award for “Top Stand-up Comedian” and a New York
Drama Desk Award Nomination for “Best Solo Artist”. | |

“Eddie Izzard is the best-kept secret in comedy….He
has the capacity to make the audience laugh without even saying
anything….but when he does start talking, he breathes new
life into the over-used word, inspired.”
James Rampton, The Daily Telegraph
“Izzard’s strength lies not just in the all out absurdity
of his imagination, but in the mastery with which he structures
and patterns his material….Eddie Izzard, to adapt one of
his own jokes, is a fool to be suffered most gladly.”
Financial Times
“….what makes this new show such a rare
joy is how readily he will now pan back from the apparent
mess he’s
making and gleefully invite you to observe with him just what
a mess it is….thereby turning it into something paradoxically,
that isn’t a mess at all but a triumph of risk-taking.”
The Sunday Times Eddie Izzard has ceased to be
just one more original young comedian. He is now out there
in a class of his own. A unique talent who has proved that
he is ready to be measured alongside the greats….Point
me to the comic, alive or dead, who could make an packed
theatre gasp with aching laughter at patter which muses
upon the letter-writing art of Pliny the Younger.”
Jack Tinker, The Daily Mail
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