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“It’s called Definite Article because I’m much more definite about where I’m going.”

Eddie’s 3rd show, Definite Article, opened at London’s Shaftesbury Theatre in October 1995. The show ran for 10 weeks and sold out completely. As warm-up gigs for this run, Eddie toured small venues throughout the Western Isles of Scotland, Wales, Cumbria, Sheffield and Dublin, where the venue capacities ranged from 80 in Ullapool to 1200 at the University of Sheffield

Memorably, the show opened with Eddie coming through a giant book, seated in a giant armchair and resplendent in an orange Gaultier jacket. On the opening night a button fell off the jacket. Eddie said of the incident, “An actor would have kicked it to the side of the stage. I thought I’ll talk about this. Then I tried to pull the thread off but couldn’t get to it. Someone threw a pair of scissors on stage, then someone threw a sewing kit. I said “Good heckle”. I knew I had to do it.

Once you commit, as long as you finish you’ll be fine, so I sewed the button back on and talked about my granny and her sewing. That’s what I learned from street performing, all you have to do is finally do it.”

A 4-month World tour with Definite Article followed in September 1996, beginning with a performance at the De La Warr Pavilion, Bexhill-on-Sea on 1st September, and then shows in Paris (in French), Reykjavik, Amsterdam, Stockholm and Copenhagen and a 4-week sell-out run at New York’s PS122, as well as 45 dates across the UK and Eire. It was during the UK leg of the tour, at a performance at the Cambridge Corn Exchange in November 1997, that Eddie was engaged in a fracas with an audience member, who insulted Eddie for wearing makeup etc, the result of which was a black eye for Eddie. However Eddie won through in the court case as the man concerned received a fine.

Definite Article won Eddie a second British Comedy Award for “Top Stand-up Comedian” and a New York Drama Desk Award Nomination for “Best Solo Artist”.

  Hello Sue, I've got legs

“Eddie Izzard is the best-kept secret in comedy….He has the capacity to make the audience laugh without even saying anything….but when he does start talking, he breathes new life into the over-used word, inspired.”
James Rampton, The Daily Telegraph

“Izzard’s strength lies not just in the all out absurdity of his imagination, but in the mastery with which he structures and patterns his material….Eddie Izzard, to adapt one of his own jokes, is a fool to be suffered most gladly.”
Financial Times

“….what makes this new show such a rare joy is how readily he will now pan back from the apparent mess he’s making and gleefully invite you to observe with him just what a mess it is….thereby turning it into something paradoxically, that isn’t a mess at all but a triumph of risk-taking.”
The Sunday Times

Eddie Izzard has ceased to be just one more original young comedian. He is now out there in a class of his own. A unique talent who has proved that he is ready to be measured alongside the greats….Point me to the comic, alive or dead, who could make an packed theatre gasp with aching laughter at patter which muses upon the letter-writing art of Pliny the Younger.”
Jack Tinker, The Daily Mail

   
 
 
   
 
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